Creating Summer Troopers

Let's face it, here in the Northeast, we're all beyond sick of snow this winter. So besides complaining on Facebook, I found a little inspiration to follow hoping it leads to sunny days soon. I was perusing my Facebook stream and came across the following photo from the Star Wars page I follow (don't judge). As soon as I saw it, my mind saw the image I needed to create.

The following was my process on creating "Summer Troopers" as a digital art file on my iPad.

First I downloaded the Trooper photo from Facebook to my photo camera roll on my iPad.

Then using an app called "Sketchclub" I created a new document and placed the photo on the first layer. After rotating and scaling, I changed the opacity to somewhere around 50%.

The I went hunting for the additional images I needed to use as source for the umbrella and man's legs/swim trunks. Once I found those I imported them on separate layers, scaled them, cropped out all the excess of the image and change the opacity to 50% as well.

Starting with the Trooper layer, I selected a new layer where my black line art would live. Once I hid the umbrella & swim trunks layers - I was ready to trace over the troopers with a black fountain pen setting.

I did the same process for each the umbrella layer & the swim trunks layer until my black line drawing was complete. Then I selected another layer where i added flat colors for the ground and the sky. I placed this layer underneath the line art. I then created another layer on top of the flat color to add a few shadow spots and set the layer to "Darken" mode and decreased the opacity to taste. The only portions left to color were the umbrella and swim trunks, so I created another layer directly under the line art and applied the color with a brush tool.

Once my art was complete I saved a JPEG back to my camera roll. Then I opened that Jpeg in an app called Snapseed (a great little photography app!). In Snapseed I adjusted some contrast, saturation (in the "Tune Image" area), added a frame from one of the presets (Frames) that gave it a nice messy edge, and lastly some texture (The Grunge feature - messed around until I got the style & strength I wanted), added some "scratches" for final touches. The reason I added a frame and then the grunge waas so that the grunge effect would show on the frame as well as the image area. Finally, I exported again to my camera roll and Viola - the final digital image of "Summer Troopers"

I hope you enjoyed that quick description of my process. Just remember - have fun, play and remember there's a bunch of tools and methods to help you experiment! Happy creating!

You Can't Make it on Talent Alone

When I was in High School I remember a few kids in my art classes who's work was just stunning. They were so talented and made it seem so easy. It was hard not to be either disheartened or jealous. I remember one day, my Art teacher telling us all that "you couldn't make it on talent alone". At the time I thought that was such a dumb statement.

But the reality of that statement started showing true through my years in art school (2 different ones even). We all started out bright eyed, eager, naive... along the way the crowd was thinned. Some people couldn't hack it, others lost interest. I remember one sad extreme example vividly.

There was a fellow student we'll call "Steve". Steve was so naturally gifted. His work was always praised, and seemed to need little reworking following our critiques. I would have bet he was on the fast track for success. Yet he started to miss some classes here and there. And soon he was absent more than present.  Rumors of alcoholism surfaced. And one day sitting on a bar stool at a local pub, I saw this first hand. He confessed he had no hope. His addiction swallowed him. And Steve disappeared for good one day.

I remember thinking that was such a tragedy. From outward appearances he was this shining star, ultra-talented artist. But his demons got the best of him.

Other Art School dropouts just seemed to be victims of wayward passions, dead-end jobs, financial situations... the normal stuff of life. "You can't make it on talent alone." Now I got it. But what do I do with it?

Keep showing up. Make the best of YOUR situation. Take YOUR experiences and create your art in them, through them, and even in spite of them. Keep learning and growing.

For a long time I didn't. I got sidetracked. Lost. Buried with other responsibilities, false identities, believing lies about myself and my art. But it's never too late.

You can't make it on talent alone: A beacon of hope for those who feel talentless; A tale of warning for those who rely too much on their natural giftedness. Take it as you want. But either way - Just show up. Do the Work. Be yourself. Offer the best you can right now. Keep following the path before you.

I heard Will Smith make a statement on the first episode of the Tonight show with Jimmy Fallon. When Jimmy asked what advice Will gave his kids who are in show business, Will's answer was to make their Art a gift to others. As artists we have the opportunity to make someone smile. To brighten their day even just for a moment. Don't make your craft about pursuing success, but rather a gift to the world around you.

Talent gets you noticed and opens doors. Character and hard work lay the track for your best work, work that impacts your life and  the lives of those around you.

Stop lamenting your lack of talent or opportunity. Give your gift of Art today. Someone in your world needs it.

 {Photo Credit: Louis du Mont}

3 Choices That Will Kill Your Art Before It's Created

The pressure to create can sometimes be stressful. There are many outside and inside forces at work that seek to destroy your creative spirit before it even lifts a finger. Here's 3 choices I have found can kill your art before it even has a chance to see daylight:

1. Waiting For Permission

Don't wait for someone else to tell you it's ok to create your art. Don't wait for an invitation. It will never come. And more urgent and "responsible" things will come to sway your attention. Create and create some more because you HAVE to.

2. Seeking Constant Validation

Everyone like's a word of encouragement, or a fist bump for your soul in the form of some Facebook Like's, Retweets, or Instagram Hearts. But basing your artistic self worth on the opinions of others is a recipe for disaster. Be who you are. Be true to YOUR art, even if you are still trying to figure out what that is. Everyone starts there. Give yourself a break.

3. Befriending Perfectionism

Wanting to be excellent is a worthy pursuit. But if you struggle with the voices of Perfectionism in your head you know all too well the following lies:  "You suck, don't even get started on this because you know it's going to fail", "What gives you the right to think someone will care about your Art when there is so much great Art out there already." and "You are not a REAL Artist. Real Artists don't make art like THAT." Kick Perfectionism in the teeth by showing up to do the work each and every day. And if you're brave enough, share your art, especially when you think it's sub-par.

Art Process: A Pear of Grapes

Did you ever look at a piece of art and wonder how it got to the finished piece before you? It's a rare thing to see art as it goes through it's various stages. Well, today I'm going to let you in on my process for this watercolor still life I've called "A Pear of Grapes". First, I set up some fruit and lighting (for some drama) to my liking. I knew I wanted a few different areas to avoid everything all clumped in the same place.

Next, I taped down a piece of Watercolor paper (Strathmore 140 lb) to a foam board. I'm using Winsor & Newton brushes and watercolor paints at the moment. Also pictured in a kneaded eraser, an HB Graphite pencil and two plastic jars for water.

I started off with a simple pencil sketch to block out my composition.

Starting with the lightest color, I lay down some wash of watercolor paint.

From there, I move on to add more color and a bit of texture, still keeping things light.

I keep layering to get things a bit darker, while still keeping some light areas.

I work the main subject until I feel like I'm at a good place to switch things up (or waiting for an area to dry before working a bit more).

Now, I lay down some color to the foreground, knowing that I'm going to add more texture so I'm not concerned with getting my watercolor smooth.

I do the same for the background, as well as now going back into my dry areas on the fruit to add more texture and lines. I've also added some darker shadows at this point

Now I apply the texture in the foreground area using a darker hue and more pigment of the watercolor paint.

Then I add a little more texture to the background and foreground. And to put some finishing touches, I use a bit of white Gouache for some highlights.

And there ya have it folks. Hope you enjoyed a little peek into my process!

What's your next step?

I've been pondering the question of "What's next?" as of late in terms of my passion to create. That is, when I'm not taken in different directions in the busyness of my project lists and the tasks of life. The question is always there in the quietness, when things do finally slow down.

To be honest, I have no big revelations. At least not yet. But what I am convinced of is simply showing up and taking the right next step. Some days that's making sure I get myself in my sketchbook. Or recently, signing up to take a watercolor class (which I'm loving BTW). Still, others days, it's finishing a project I've set out to do (like the art above, commissioned to do based on a page in my sketchbook project) or reading another chapter in The Artist's Way. The only thing that is certain for me is that I must find new ways and opportunities to keep creating more. Creating the stuff that flows out of my heart, and hopefully finds a way to touch someone else.

Part of me feels like it's starting to wake up to more of what could be. I'm leaning into a phrase found in the Bible in the book of Ephesians - Immeasurably more. I want to know what that looks like in my life. For my Art to be immeasurably more that I could ask or imagine - for it to go places and touch people that I don't know.

I'm not talking fame or success. I'm talking usefulness, and being a blessing in some one else's life. I'm not talking grandiose dreams. I'm talking me - fully alive, using my gifts and abilities, and trusting God to use what He desires to - in breathing life into what I create. You might think that's crazy talk. Or prideful. But, you see, for far too long I haven't given my art the value it deserved. And at one point, I almost let it die.

So at this stage in my journey, I'm not interested in "playing" art. I'm interested in real and true creation. Creation that moves me and the people around me. Creation that somehow brings a smile, or a tear, or an acknowledgement of some beauty around us that we miss most of the time. Creation that I'm is born out of passion.

I saw the following video by artist and design Elle Luna (love her name BTW) on a talk she gave entitled "Find Your Must". That's where I am. Where I've been. Where I will continue to be... (at least for a little while I think). Finding and rediscovering my "Must" - what I and only I can & must do.

I resinate with the journey. Maybe you will too. And just maybe it will help you take the right next step on your journey, leading to a new path.

http://vimeo.com/77436516

Embrace the Shake

I came across this TED talk from an amazing artist, Phil Hansen. Instead of trying to dissect this video and make commentary, I'm going to let it speak for itself. It just might be the best 10 minutes of your day. [ted id=1747]

Confession of a Dying Artist

Something inside of me started to die. It was a slow death. Barely noticeable. It went on for years. Somehow, I think I knew something was wrong but I couldn't put my finger on it.

I've spent years using my art (mainly graphic design) to support the cause or endeavors of others. That's what I get paid to do. To use my art to create a logo for someone's product, someones else's message slides, someone else's company and ideas. Nothing wrong with that. But, I finally realized what had been slowly dying all these years. My personal art expression. My message. My voice in my art.

Doing design for others isn't the correct place to insert your personal message/expression. I'm hired to communicate their message, their identity. BUT I came to realize that I had stopped pursuing avenues of my own expression. And it slowly began shortly after graduating art school.

Earlier this year, I began a journey back to my passion - creating art "just because". Creating because my soul needed to. Creating art not for the masses but for personal expression. And something wonderful happened. I felt the cold dead place inside start to come back alive.

I made a fatal error early on in my design career. I don't even know if it was conscious (I don't think it was). I took on an either/or approach to my art. Either I could do commercial work (and get paid for it), or do personal art expression (and not get paid for it). And just like the carpenter who lives in a home where the carpentry needs go unmet - I felt like after doing "art" all day long who had time or energy for more when I got home?

When it comes to creating commercial and personal art, it isn't about either/or but rather and/both. Both are vital to creative health. Who knows, maybe one day the two lines will blur more for me and I'll get paid to create my personal expression art. But until then, I'm making sure I don't loose sight of pursuing both.

What about you? Do you ever feel that tension?

Illustration by Mike Brennan

Beautiful Mess

I read these words tonight on Danny Gregory's blog, and it resonated. How about you?

Organization is irrelevant to making stuff. Art needs to be messy. A neat stall is the sign of a dead horse.

The more responsible side of me wants to make sure I can contain my art and process, and not get too dirty in the process. Sanitize it. But there can be (and should be) beauty in mess. Here's to more art birthed in mud and mire.

{photo credit}

At the Creative Crossroad

It's a crazy day/week/month/year. Work is super busy. My calendar is exploding. My weekends and evening are booked solid. Everyone wants a piece of me and there's not enough to go around. I just don't have time. Or energy. Maybe once this season, project, or event passes I can do it...

Stop saying you'll create your art once "such and such" passes. It's an excuse. No judgement. We've all been there. But, we need to learn how to create in the middle of life. How do most people meet this challenge? They don't. So they don't create.

You must be able to create in the middle of things, or else you will not create. You must learn to take whatever practical and psychological actions are necessary to combat the anti-creating forces that surround you and live within you. ... There is always profound turbulence within or without — that is life — and it is in the middle of that turbulence that you must create.

What if we could create not in spite of the turbulence but even harnessing it somehow? Now, that might be the kind of authentic art we've been looking for!

Get moving! Get creating. Today.

 {Photo Credit}

Maisel Ph.D., Eric (2005-01-18). Coaching the Artist Within.